INTERWORLD
In a landscape of industrial remnants, Interworld invites interaction through objects, projections, and sound. 3D-printed stones trigger shifts in image and sound by Enrique Mendoza, merging organic forms with digital aesthetics to explore the synergy between nature and technology.
Interactive environment, Ars Electronica Festival, Linz, Austria, 09.2025
IT'S ONLY SURFACE THAT FOLLOWS
This interactive installation invites viewers to explore the detailed structure of a small piece of asphalt (middle image). By moving their hand (right image), they navigate a zoomed-in landscape of the surface. Two overlapping sound layers (by Sylwester Galuschka) blend and shift in response to the hand’s position, guiding the entire experience. Led by the viewer’s movement, the ordinary unfolds into unexpected beauty, concealed beneath the thin glaze of everyday neglect.
The installation is created in TouchDesigner using MediaPipe, an AI-based image-recognition plug-in.
Video documentation can be found on my Instagram click to access
Interactive installation, BWA Residency, Krosno, Poland, 11.2025
FOSSIL
Installation presents a fossil from the carbonite area and the projection of its scan within the cyberjungle — an interpretation of the fossil’s origin. The installation features an audio composition by K. Podpora.
National Forum of Music, New Media Biennale WRO, Wroclaw, Poland, 05.2025
SENSITIVE BODIES
An interactive installation featuring three stones from Jelsa Beach, reimagined through new media. The stones are presented both as tactile objects (3D-printed scans) and as their virtual counterparts, inviting visitors to engage with their physical and digital forms.
Video Room at Mondae Gallery, Jelsa Biennale, Croatia, 08.2025
TRANSPARENT BODIES
Ahe installation presents sculptures that, under the play of light, transform into holograms, accompanied by the inscription: Transparent bodies pulsate with risqué vulnerability.
Works are part of the "Sensitive Bodies" project,
awarded the Artistic Scholarship of the President of
Wrocław.
Individual exhibition "Sensitive Bodies", IP Studio, Wroclaw, Poland, 02.2025
COALESCE
An interactive installation where body movements became living drawings. Each shift in posture shaped evolving visual forms. Every Wednesday at dusk (at 9:30 p.m.) in cooperation with Dance Theatre Ljubljana a dance performance will take place, featuring a dancer Alja Lacković, who shall engage in a unique movement-based dialogue with the projection in front of the gallery window.
Coalesce, window of The Match Gallery - Svetlobna Gverilla Festival coproducer: MGML & Dance Theatre Ljubljana / Ukrep festival, Ljubjana, Slovenia 05.2025
INSIDE
The installation unfolds across two walls. On one side, a video reveals close-up details of stones, rotating and shifting as they move among different forms of matter. On the opposite wall, objects containing the stones themselves are displayed, creating a dialogue between the recorded image and the physical presence of the material.
Insides, Sirup Gallery, Linz, Austria, 04.2025
CRYOTUNE
The floating Icebergs moved by the sound of Cezary Duchnowski. The three walls of projection were mirrored on the floor resembling the water surface.
Audioreactive video-projections: Cryotune, Random Check VII, Immersive Space, Krupa Art Foundation, Wrocław, Poland, 05.2025
SECOND NATURE
Four audioreactive 360° video-projection with music by Cezary Duchnowski
as part of Random Check IV Project. The videos and music were interpreting the natural phenomena using raw world of digitality.
Four audioreactive video-projections: Second Nature: birds/human/water/trees, Random Check IV, National
Museum - Four Domes Pavilion in Wroclaw, Poland, 02.2023
POSSIBLE CONSTRUCTION_JOINING
With Bożenna, me and Bartosz Radzikowski created an intermedia piece as an interpretation of her concept of Possible Construction. We constructed a labyrinth of scaffolding onto which we projected generative videos that combined space, sculptures, and screens into an illusionary construct.
Possible Construction_Joining, intermedia installation: videos, projection mapping, scupture of scaffoldings
and music, created in collaboration with Bartosz Radzikowski and Bożenna Biskupska, National Museum
- Four Domes Pavilion in Wroclaw, Poland, 09.03-09.06.2024
NOTHINGLAND
An audiovisual performance with a musician Zuzanna Klepacka. The project was based on 3D scans (created by Weronika Mikłusiak) transformed by me in the TouchDesigner software. It used the wall texture as a co-creating element, appearing in places of white projection.
AV live performance with audioreactive elements at the opening of WRO Biennale 2023,
part of the Random Check v project, MiserArt, Wroclaw, Poland, 10.05.202
LASG_04 / CONSTANCY OF THE CHANGE
In a space of constant change, time is continuous. Forms return in constant pursuit of self-transcendence.
Video presented at annual doctoral exhibition "perception / integrated forms" at Bulvary WRO space, Wroclaw, Poland, 05.2024
SCULPTURES OF MOVEMENT
Studies on influence of the visualisation on movement - creation is based on sensor Kincect and Touchdesigner software. Research is being published on the Research Catalogue website click to access
ongoing practise
THE MONOLITH
Installation represented the portret of the stone.
The work refered to diversity of cognition which was link with the perciving self - here interpreted as a different recording aparatus.
Installation shown at Love + Time International group exhibition, Sztuka Na Miejscu Gallery, Wroclaw, Poland, 05-18.02.2024
COME CLOSER
What is perceived, it's just an sensual creation. Installation consists of the screen - showing the 3D model of the stone - printed model, photos of origal one and framed stone. There is also a poem. Although each piece differs, they discribe the same object.
photographs, video, 3D printed model, framed stone, poem, 2023
ARTIFICIAL OBJECTS_002
White is pure, white must be true. It’s so soft wearing light like the cascade of gleam. Beckoning with a gentle touch, it glistens softly.
Object_3D / printed scan of the stone
BOND
I happen near you, I became when I'm seen. We are all reflected, we are in need. The surface of others, this is where we visualise.
stone, mirroring scenography - photographs, 2021
INSIDE
„This music is for the inside” - says PODPORA - and I hear it without me. A hallow thump of a stone thrown onto surface and its reverberations. Making the surrounding silence tremble. In it I can feel
the tender closeness of what is outside. I can see it. Until it really starts happening inside.
Video with the music by PODPORA/KOHYT presented at international group exhibition "Light, Transformation, Rebirth" at Villa Farsetti w Santa Maria di Sala in Venice, Italy, 05.2024
THE DESERT STONE
This is part of the process, this is the stone of the desert. Its form morphs via various lenses. See how captures it camera, see it scanned, see it transfered to virtual space. This fluid realm draws a comprehensive yet insufficient portret.
From left: photos of the stone, 3D model and original, shots from photoscanning, 2023
THERE IS NO TRUTH / JUST SENSUAL OBJECTS
I am crushed by the outside, smoothed by the surroundings, cold as a stone. You portret me with the quantities of yourself. That is me transferred. That is me distorted. But you know, this is just the way things are.
object, frame, sign (pl.) "there is no truth, just sensual objects", stone, 3D printed model of the stone, 2023
ALL I HAVE TO TELL YOU
Drawn to words, found of their clear ability to depict, how naïve.
Lighting frames with graphics and poems, individual exhibition SEDIMENT, IP Studio, Wroclaw, 01.2024
INTERACTIVE POETRY BOOK
Words hold a meaningul power to shape our thoughts - this idea was the foundation of the workshops I conducted at Wroclaw Insistute of Culture. Together with local community we were implimenting small, text-besed artisitic interventions in public space. Later, I gathered photographic documentation of those activities and arrange them as an Interactive Poetry Book at the Research Catalogue website click here to access then "open composition".
photo on left by Wojtek Chrubasik, individual exhibition SEDIMENT, IP Studio, Wroclaw, 01.2024
BEYOND BORDERS
Photoobject allows to see the world via the eyes of others. It represtens the spaces from the different perspective showing the complexity of our perception.
Visualisation of exhibition space (on left) and photographs 2018
THE SPACES
Series of intaglio works showing the space created by different relations within the elements.
The Space (I - IV), 50 x 50 cm, intaglio, 2017
THE SPACES - URBAN LANDSCAPES
Triptych 'Spaces' represents geometric syntesis of urban landscapes. It also tries to capture the third damention, showing how objects cover each others and repond to sourroundings.
The Spaces (I - III), 100 x 70 cm, intaglio, 2016
THE POEM
Series of photography captures the body and its poetry.
series of black and white photography, digital photography, 2015